Facing Victoria’s casket, Julio Olazábal recalls the
last images of her the morning prior to her death: Victoria getting out of his
car, at kilometer marker 136 on Route 11; Victoria stretching her arm to hand
him the manuscript of her novel as she stated that she would be well, that he
should go, he should leave….
In this film – intriguing from beginning to end - ,
Julio Olazábal will narrate, the best he can, what Victoria Santillán’s life
was like: her search for identity from a voluntary exile to the United States
and her need to confirm or refute a rumor that involves her father in the
disappearance of people that were assassinated during the latest Argentine
military dictatorship.
Caught in that threshold that we know barely separates
fiction from reality, When I See You Again transports its
audience from a non-modifiable past to a modifiable present in which it is
still possible to shift one’s point of view.
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